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Belter (Mezzo-Soprano) Edition. Arranged by Michael Dansicker. Vocal Collection. Broadway, Movies and Pop. Songbook. With vocal melody, lyrics, piano accompaniment, chord names and introductory text. 188 pages. Hal Leonard #740254. Published by Hal Leonard (HL.740254).
ISBN 9780634064418. UPC: 073999329261. 9x12 inches. Compiled and edited by Michael Dansicker.
Most large audition calls for musical theatre, both professionally and in larger school situations, specify that those auditioning bring in a 16 bar excerpt. The professionals in musical theatre often complain that singers don't know how to construct an appropriate 16 bar audition, either in choosing a song or in editing an excerpt. With this new series, that problem is solved forever! Editor Michael Dansicker, a composer/producer/music director, is a seasoned musical theatre veteran, with 100 Broadway credits. He brings his expertise and broad knowledge of the literature to this series. Each excerpt has been given a thoughtful, graceful and effective form. No more illegible scribblings for the poor audition accompanist! An enormous variety of literature is represented, from old standards to movie songs to the latest Broadway and Off-Broadway material. With 100 songs per volume, any singing actor, whatever his or her talents and strong suits, will have many choices. In the preface, the editor gives valuable pointers on the nature of a good audition and some factors in choosing songs.
Belter (Mezzo-Soprano) Edition. Arranged by Michael Dansicker. Vocal Collection. Broadway, Movies and Pop. Songbook. With vocal melody, lyrics, piano accompaniment, chord names and introductory text. 188 pages. Hal Leonard #740254. Published by Hal Leonard (HL.740254).
ISBN 9780634064418. UPC: 073999329261. 9x12 inches. Compiled and edited by Michael Dansicker.
Most large audition calls for musical theatre, both professionally and in larger school situations, specify that those auditioning bring in a 16 bar excerpt. The professionals in musical theatre often complain that singers don't know how to construct an appropriate 16 bar audition, either in choosing a song or in editing an excerpt. With this new series, that problem is solved forever! Editor Michael Dansicker, a composer/producer/music director, is a seasoned musical theatre veteran, with 100 Broadway credits. He brings his expertise and broad knowledge of the literature to this series. Each excerpt has been given a thoughtful, graceful and effective form. No more illegible scribblings for the poor audition accompanist! An enormous variety of literature is represented, from old standards to movie songs to the latest Broadway and Off-Broadway material. With 100 songs per volume, any singing actor, whatever his or her talents and strong suits, will have many choices. In the preface, the editor gives valuable pointers on the nature of a good audition and some factors in choosing songs.
Holding Out For A Hero
Can you feel the love tonight
Colors Of The Wind
God Help The Outcasts
Someone Like You
So Far Away
Take Me Or Leave Me
Reflection
Always True To You In My Fashion
Shy
A Change In Me
Don't Tell Mama
And All That Jazz
How Did We Come To This?
I Know The Truth
Another Op'Nin', Another Show
Better
On My Own
As Long As He Needs Me
At The Ballet
Before The Parade Passes By
Broadway Baby
Don't Rain on My Parade
Everything's Coming Up Roses
Happy To Keep His Dinner Warm
Honey Bun
The Hostess With The Mostes' On The Ball
How I Feel
I (Who Have Nothing)
I Ain't Down Yet
I Cain't Say No
I Dreamed a Dream
I Enjoy Being A Girl
I Got The Sun In The Morning
I Love A Piano
I Want To Be Bad
I'm Going Back
I'm Beginning to See the Light
If He Walked Into My Life
If I Can't Have You
If I Were a Bell
If You Really Knew Me
It's My Party
It's Today
Jacob And Sons
Keepin' Out Of Mischief Now
Let Yourself Go
Let's Hear It For The Boy
Losing My Mind
A Lot Of Livin' To Do
Maybe This Time
Mean To Me
The Music That Makes Me Dance
My Guy
N.Y.C.
Now That I've Seen Her
Sara Lee
Shaking The Blues Away
Some People
Take That Look Off Your Face
Ten Cents A Dance
There Are Worse Things I Could Do
There Won't Be Trumpets
What Did I Have That I Don't Have?
What I Did For Love
What More Do I Need?
When You're Good to Mama
Where The Boys Are
Wherever He Ain't
Will You Love Me Tomorrow (Will You Still Love Me Tomorrow)
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