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1810611
Fantasy-Variations
1810611
1810611

Fantasy-Variations by James Primosch Piano Trio - Sheet Music

By James Primosch
Chamber Music Violin, Cello, Piano

SKU: PR.14440229S

Composed by James Primosch. Sws. Full score. With Standard notation. Duration 16 minutes, 30 seconds. Merion Music #144-40229S. Published by Merion Music (PR.14440229S).

UPC: 680160027330.

The theme that opens my Fantasy-Variations permeates the harmonic and melodic life of the 24 short episodes and coda that follow. However, in a few sections the relationships with the theme are more hidden than explicit; the fanciful connections between these portions and the opening theme suggested the work's hybrid title. Yet even in these more wide-ranging variations the opening theme is usually still hovering nearby, often as a quiet presence contrasting with more animated gestures. The piece may be understood as a kind of dream journal: a chain of brief entries that seem to vary greatly, yet rotate about a fixed constellation of types and obsessions, speaking a language of images at once logical and impossible, familiar and mysterious. I wrote the Fantasy-Variations for the Leonardo trio in 1991 with the support of a National Endowment for the Arts Fellowship in composition.
The theme that opens my Fantasy-Variations permeates the harmonic and melodic life of the 24 short episodes and coda that follow.  However, in a few sections the relationships with the theme are more hidden than explicit; the fanciful connections between these portions and the opening theme suggested the work’s hybrid title.  Yet even in these more wide-ranging variations the opening theme is usually still hovering nearby, often as a quiet presence contrasting with more animated gestures.The piece may be understood as a kind of dream journal: a chain of brief entries that seem to vary greatly, yet rotate about a fixed constellation of types and obsessions, speaking a language of images at once logical and impossible, familiar and mysterious.I wrote the Fantasy-Variations for the Leonardo trio in 1991 with the support of a National Endowment for the Arts Fellowship in composition.
The theme that opens my Fantasy-Variations permeates the harmonic and melodic life of the 24 short episodes and coda that follow.xa0 However, in a few sections the relationships with the theme are more hidden than explicit; the fanciful connections between these portions and the opening theme suggested the work’s hybrid title.xa0 Yet even in these more wide-ranging variations the opening theme is usually still hovering nearby, often as a quiet presence contrasting with more animated gestures.The piece may be understood as a kind of dream journal: a chain of brief entries that seem to vary greatly, yet rotate about a fixed constellation of types and obsessions, speaking a language of images at once logical and impossible, familiar and mysterious.I wrote the Fantasy-Variations for the Leonardo trio in 1991 with the support of a National Endowment for the Arts Fellowship in composition.

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