Order two or more copies of the same title and we'll automatically give you 5% off list price on that title.
To get 2+ Pricing , just add two or more copies of a title to your shopping cart. Your discount will be immediately applied to your order.
Sale titles, hymnals, and ShowKits (MTI's Broadway Junior Collection, Getting to Know... Collection (G2K) and MTI's Kids Collection) do not qualify for 2+ Pricing
If you have any questions or comments regarding 2+ Pricing , please feel free to email us at info@sheetmusicplus.com
Arranged by Matthias Strebinger and ed./arr. by Holger Simon Paulli/ ed. William McDermott. Full Orchestra. Kalmus Ballet Library. Score. LudwigMasters Publications #36-A888501. Published by LudwigMasters Publications (AP.36-A888501).
ISBN 9798892705806. UPC: 676737999995. English.
Danish choreographer and ballet master August Bournonville (1805-1879) created several well-known ballets, including NAPOLI, OR THE FISHERMAN AND HIS BRIDE (1842) and THE FLOWER FESTIVAL IN GENZANO (BLOMSTERFESTEN I GENZANO; 1858). Whereas Bournonville used the composers Edvard Helsted (1816-1900) and Holger Simon Paulli (1810-1891) exclusively in the composition of THE FLOWER FESTIVAL OF GENZANO, they were only two of several contributing writers to the music of NAPOLI. The most famous selection to come from these ballets is the pas de deux long (and falsely) attributed to THE FLOWER FESTIVAL IN GENZANO and to its composers Helsted and Paulli. That is not the pas' origin, however. The music was actually written for an 1842 staging in Vienna of NAPOLI, where the principal danseur playing Gennaro created the pas de deux for Act III and asked Austrian composer Matthias Strebinger (1807-1874) to write the music for it. Following this, Bournonville decided to include this pas de deux in his newer ballet, THE FLOWER FESTIVAL IN GENZANO, and Paulli orchestrated it to suit this purpose, resulting in the future assumption that the pas de deux was composed by Helsted and Paulli rather than the insertion that it was. The original ballet disappeared shortly after its premiere, though Bournonville saved the pas de deux by incorporating it into an 1875 divertissment that he made for the Vienna Festival of Flowers. This fragment of THE FLOWER FESTIVAL OF GENZANO is all that survives, and because the pas de deux was originally written for NAPOLI, it is often also included in productions of that ballet. Despite the spurious attributions of both the ballet and the composer, this pas de deux is an extremely popular part of the repertory and is considered one of Bournonville's most perfect works, often performed to show the Bournonville style. This edition has been completed by William McDermott. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str (4-4-3-3-3 in set).
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
Arranged by Matthias Strebinger and ed./arr. by Holger Simon Paulli/ ed. William McDermott. Full Orchestra. Kalmus Ballet Library. Score. LudwigMasters Publications #36-A888501. Published by LudwigMasters Publications (AP.36-A888501).
ISBN 9798892705806. UPC: 676737999995. English.
Danish choreographer and ballet master August Bournonville (1805-1879) created several well-known ballets, including NAPOLI, OR THE FISHERMAN AND HIS BRIDE (1842) and THE FLOWER FESTIVAL IN GENZANO (BLOMSTERFESTEN I GENZANO; 1858). Whereas Bournonville used the composers Edvard Helsted (1816-1900) and Holger Simon Paulli (1810-1891) exclusively in the composition of THE FLOWER FESTIVAL OF GENZANO, they were only two of several contributing writers to the music of NAPOLI. The most famous selection to come from these ballets is the pas de deux long (and falsely) attributed to THE FLOWER FESTIVAL IN GENZANO and to its composers Helsted and Paulli. That is not the pas' origin, however. The music was actually written for an 1842 staging in Vienna of NAPOLI, where the principal danseur playing Gennaro created the pas de deux for Act III and asked Austrian composer Matthias Strebinger (1807-1874) to write the music for it. Following this, Bournonville decided to include this pas de deux in his newer ballet, THE FLOWER FESTIVAL IN GENZANO, and Paulli orchestrated it to suit this purpose, resulting in the future assumption that the pas de deux was composed by Helsted and Paulli rather than the insertion that it was. The original ballet disappeared shortly after its premiere, though Bournonville saved the pas de deux by incorporating it into an 1875 divertissment that he made for the Vienna Festival of Flowers. This fragment of THE FLOWER FESTIVAL OF GENZANO is all that survives, and because the pas de deux was originally written for NAPOLI, it is often also included in productions of that ballet. Despite the spurious attributions of both the ballet and the composer, this pas de deux is an extremely popular part of the repertory and is considered one of Bournonville's most perfect works, often performed to show the Bournonville style. This edition has been completed by William McDermott. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str (4-4-3-3-3 in set).
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
Preview: Napoli - The Flower Festival in Genzano: Pas de Deux (attributed to E. Helsted and Paulli)
Ratings + Reviews
Review Guidelines
Explain exactly why you liked or disliked the product. Do you like the artist? Is the transcription accurate? Is it a good teaching tool?
Consider writing about your experience and musical tastes. Are you a beginner who started playing last month? Do you usually like this style of music?
Feel free to recommend similar pieces if you liked this piece, or alternatives if you didn't.
Be respectful of artists, readers, and your fellow reviewers. Please do not use inappropriate language, including profanity, vulgarity, or obscenity.
Avoid disclosing contact information (email addresses, phone numbers, etc.), or including URLs, time-sensitive material or alternative ordering information.
We cannot post your review if it violates these guidelines. If you have any suggestions or comments on the guidelines, please email us.
All submitted reviews become the licensed property of Sheet Music Plus and are subject to all laws pertaining thereto. If you believe that any review contained on our site infringes upon your copyright, please email us.
Tell a friend (or remind yourself) about this product. We'll instantly send an email containing product info and a link to it. You may also enter a personal message.
We do not use or store email addresses from this form for any other purpose than sending your share email.
After purchase, you can download your MP3 from your Sheet Music Plus Digital Library - no software installation is necessary! You can also listen to your MP3 at any time in your Digital Library.
Learn about Smart Music
After purchase, you can download your Smart Music from your Sheet Music Plus Digital Library - no software installation is necessary! You can also download at any time in your Digital Library.
Learn about Digital Video
After purchase you can download your video from your Digital Library. Your video is in XX format and is playable on most pre-installed video players.
This site uses cookies to analyze your use of our products, to assist with promotional and marketing efforts, to analyze our traffic and to provide content from third parties. You consent to our cookies and privacy policy if you continue to use this site. Please see our Privacy Policy for details.