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Missa pro defunctis. Composed by Luigi Cherubini. Edited by Hans Schellevis. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Baerenreiter Verlag #BA08961. Published by Baerenreiter Verlag (BA.BA08961).
ISBN 9790006559237. 12.2 x 9.57 inches. Key: C minor. Text Language: Latin. Preface: Schellevis, Hans.
Cherubini owes his fame as a church composer primarily to the “Requiem in C minor” of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.
This Urtext edition takes into account not only the autograph score with “spartitino” (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Missa pro defunctis. Composed by Luigi Cherubini. Edited by Hans Schellevis. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Baerenreiter Verlag #BA08961. Published by Baerenreiter Verlag (BA.BA08961).
ISBN 9790006559237. 12.2 x 9.57 inches. Key: C minor. Text Language: Latin. Preface: Schellevis, Hans.
Cherubini owes his fame as a church composer primarily to the “Requiem in C minor” of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.
This Urtext edition takes into account not only the autograph score with “spartitino” (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Preview: Requiem c-Moll -Missa pro defunctis-
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