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Third Part of the Clavierubung. Composed by Johann Sebastian Bach. Edited by Christoph Wolff. This edition: urtext edition. Paperback. Johann Sebastian Bach. Organ Works 4 | BARENREITER URTEXT. Replaces BA 5174. Performance score, anthology. Baerenreiter Verlag #BA05264. Published by Baerenreiter Verlag (BA.BA05264).
ISBN 9790006523047. 9.45 x 12.01 inches. Language: German/English. Preface: Christoph Wolff.
In 1739 Bach’s Third Part of the Clavier Übung was published on 80 pages closely printed. Ever since then the collection has been regarded as a high point in the history of organ composition as it offers an impressive cross section of Bach’s artistry.
This present volume is an updated edition of Volume 4, Series IV, of the New Bach Edition, presented by Manfred Tessmer in 1969. A fully revised edition proved unnecessary, as there were relatively few corrections affecting the musical text. However, the volume now includes a detailed Preface by Christoph Wolff which discusses not only the work’s genesis but also offers an up-to-date description of the sources. For the new engraving of the musical text page-turns were reviewed and improved.
Bach’s autograph is considered lost and so the main source is the original print of the collection from 1739. In collaboration with the Leipzig Bach Archive and its database Bach digital this new edition includes links to two important copies of the original print which contain hand-written entries by Bach himself.
Any complete scholarly-critical edition of the works of Johann Sebastian Bach must, in the interest of its use by researchers and performers, incorporate intervening new discoveries wherever possible. With this in mind, Bärenreiter has entered an agreement with the Leipzig Bach Archive to reissue particular volumes as applicable, either in updated performing editions based on the New Bach Edition or in thoroughly revised editions based on the New Bach Edition - revised. In this way, each new performing edition will represent the cutting edge of research.
Further hallmarks of this new generation of Urtext editions will be detailed, up-to-date Prefaces and newly engraved musical texts with optimum page turns. Each volume will list incipits with links to the relevant manuscripts in Bach digital thereby enabling the user to gain quick access to the sources.
-With altered readings integrated into the musical text taking into account new musicological evidence -With a new Preface (Ger/Eng) discussing this work and its sources by Christoph Wolff -With links to the relevant sources in Bach digital via https://links.baerenreiter.com -Newly engraved and with improved page turns -Format: 24cm x 30.5cm
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Third Part of the Clavierubung. Composed by Johann Sebastian Bach. Edited by Christoph Wolff. This edition: urtext edition. Paperback. Johann Sebastian Bach. Organ Works 4 | BARENREITER URTEXT. Replaces BA 5174. Performance score, anthology. Baerenreiter Verlag #BA05264. Published by Baerenreiter Verlag (BA.BA05264).
ISBN 9790006523047. 9.45 x 12.01 inches. Language: German/English. Preface: Christoph Wolff.
In 1739 Bach’s Third Part of the Clavier Übung was published on 80 pages closely printed. Ever since then the collection has been regarded as a high point in the history of organ composition as it offers an impressive cross section of Bach’s artistry.
This present volume is an updated edition of Volume 4, Series IV, of the New Bach Edition, presented by Manfred Tessmer in 1969. A fully revised edition proved unnecessary, as there were relatively few corrections affecting the musical text. However, the volume now includes a detailed Preface by Christoph Wolff which discusses not only the work’s genesis but also offers an up-to-date description of the sources. For the new engraving of the musical text page-turns were reviewed and improved.
Bach’s autograph is considered lost and so the main source is the original print of the collection from 1739. In collaboration with the Leipzig Bach Archive and its database Bach digital this new edition includes links to two important copies of the original print which contain hand-written entries by Bach himself.
Any complete scholarly-critical edition of the works of Johann Sebastian Bach must, in the interest of its use by researchers and performers, incorporate intervening new discoveries wherever possible. With this in mind, Bärenreiter has entered an agreement with the Leipzig Bach Archive to reissue particular volumes as applicable, either in updated performing editions based on the New Bach Edition or in thoroughly revised editions based on the New Bach Edition - revised. In this way, each new performing edition will represent the cutting edge of research.
Further hallmarks of this new generation of Urtext editions will be detailed, up-to-date Prefaces and newly engraved musical texts with optimum page turns. Each volume will list incipits with links to the relevant manuscripts in Bach digital thereby enabling the user to gain quick access to the sources.
-With altered readings integrated into the musical text taking into account new musicological evidence -With a new Preface (Ger/Eng) discussing this work and its sources by Christoph Wolff -With links to the relevant sources in Bach digital via https://links.baerenreiter.com -Newly engraved and with improved page turns -Format: 24cm x 30.5cm
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Preview: Third Part of the Clavier Übung
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