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Urtext. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stapled. Orchester-Bibliothek (Orchestral Library).
Bach's E major concerto still presents interpretative questions that have yet to be answered.
Solo concerto; Baroque. Solo part. 12 pages. Duration 17'. Breitkopf and Haertel #OB 5355-03. Published by Breitkopf and Haertel (BR.OB-5355-03).
ISBN 9790004337110. 9 x 12 inches.
With Sigiswald Kuijken, the Baroque-violin expert, another celebrated performer puts his valuable experience at the disposal of Breitkopf & Hartel and its new editions. Bach's E major concerto still presents interpretative questions that have yet to be answered. The slurring of the solo part is sometimes quite incredible in the main source. And it is even doubtful that it stems from Bach himself. All the more important are the experienced soloist's suggestions for a stylistically accurate interpretation.In his edition for violin and keyboard instrument, Klaus Hofmann goes so far as to supply three violin parts (the first from the new score, the second with markings and notes by SigiswaldKuijken and the third as a facsimile of the main source). The performer is thus thoroughly informed and able to make his own competent decisions. Siegfried Petrenz has realized the continuo part sparingly and idiomatically.
Urtext. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stapled. Orchester-Bibliothek (Orchestral Library).
Bach's E major concerto still presents interpretative questions that have yet to be answered.
Solo concerto; Baroque. Solo part. 12 pages. Duration 17'. Breitkopf and Haertel #OB 5355-03. Published by Breitkopf and Haertel (BR.OB-5355-03).
ISBN 9790004337110. 9 x 12 inches.
With Sigiswald Kuijken, the Baroque-violin expert, another celebrated performer puts his valuable experience at the disposal of Breitkopf & Hartel and its new editions. Bach's E major concerto still presents interpretative questions that have yet to be answered. The slurring of the solo part is sometimes quite incredible in the main source. And it is even doubtful that it stems from Bach himself. All the more important are the experienced soloist's suggestions for a stylistically accurate interpretation.In his edition for violin and keyboard instrument, Klaus Hofmann goes so far as to supply three violin parts (the first from the new score, the second with markings and notes by SigiswaldKuijken and the third as a facsimile of the main source). The performer is thus thoroughly informed and able to make his own competent decisions. Siegfried Petrenz has realized the continuo part sparingly and idiomatically.
Preview: Violin Concerto in E major BWV 1042
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