Who Has Seen the Wind?
by Mark Patterson
Choir - Sheet Music

Choral Voice

SKU: CF.BL1054

Composed by Mark Patterson. Fold. OCTAVO. 8 pages. Duration 2 minutes, 24 seconds. BriLee Music #BL1054. Published by BriLee Music (CF.BL1054).

UPC: 680160911653. 6.875 x 10.5 inches. Key: A major. English. Christina Rosetti (1830-1894).

British poet Christina Rossetti (1830-1894) penned this short poem, which muses about the wind being something we know is there but cant ever see. We just see the evidence that it exists in the rustling leaves or bending branches. What other things in our world are like that: unseen or intangible, yet we know they are there? As you sing this piece, work for a unified oo vowel on the opening word who, and of course on the Oos beginning at m. 24. If singing both parts, work to balance them equally mezzo-piano. That section should portray the breeze blowing back and forth with each part complementing (i.e., not trying to out-sing) the other.
British poet Christina Rossetti (1830-1894) penned this short poem, which muses about the wind being something we know is there but canat ever see. We just see the evidence that it exists in the rustling leaves or bending branches. What other things in our world are like that: unseen or intangible, yet we know they are there? As you sing this piece, work for a unified aooa vowel on the opening word awho,a and of course on the Ooas beginning at m. 24. If singing both parts, work to balance them equally mezzo-piano. That section should portray the breeze blowing back and forth with each part complementing (i.e., not trying to out-sing) the other.
British poet Christina Rossetti (1830-1894) penned this short poem, which muses about the wind being something we know is there but can't ever see. We just see the evidence that it exists in the rustling leaves or bending branches. What other things in our world are like that: unseen or intangible, yet we know they are there? As you sing this piece, work for a unified "oo" vowel on the opening word "who," and of course on the Oo's beginning at m. 24. If singing both parts, work to balance them equally mezzo-piano. That section should portray the breeze blowing back and forth with each part complementing (i.e., not trying to out-sing) the other.
British poet Christina Rossetti (1830-1894) penned this short poem, which muses about the wind being something we know is there but can't ever see. We just see the evidence that it exists in the rustling leaves or bending branches. What other things in our world are like that: unseen or intangible, yet we know they are there? As you sing this piece, work for a unified "oo" vowel on the opening word "who," and of course on the Oo's beginning at m. 24. If singing both parts, work to balance them equally mezzo-piano. That section should portray the breeze blowing back and forth with each part complementing (i.e., not trying to out-sing) the other.
British poet Christina Rossetti (1830-1894) penned this short poem, which muses about the wind being something we know is there but can’t ever see. We just see the evidence that it exists in the rustling leaves or bending branches. What other things in our world are like that: unseen or intangible, yet we know they are there?As you sing this piece, work for a unified “oo” vowel on the opening word “who,” and of course on the Oo’s beginning at m. 24. If singing both parts, work to balance them equally mezzo-piano. That section should portray the breeze blowing back and forth with each part complementing (i.e., not trying to out-sing) the other.